{"id":51,"date":"2023-11-30T08:20:28","date_gmt":"2023-11-30T08:20:28","guid":{"rendered":"http:\/\/rbg-5f1ac9.cloud.techfak.net\/?page_id=51"},"modified":"2024-02-20T15:29:38","modified_gmt":"2024-02-20T15:29:38","slug":"ison-2010-proceedings","status":"publish","type":"page","link":"https:\/\/www.interactive-sonification.org\/?page_id=51","title":{"rendered":"ISon 2010 Proceedings"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"270\" src=\"http:\/\/rbg-5f1ac9.cloud.techfak.net\/wp-content\/uploads\/ISon2010_logo_0-1.jpg\" alt=\"\" class=\"wp-image-172\" srcset=\"https:\/\/www.interactive-sonification.org\/wp-content\/uploads\/ISon2010_logo_0-1.jpg 500w, https:\/\/www.interactive-sonification.org\/wp-content\/uploads\/ISon2010_logo_0-1-300x162.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<p>(Photo by Peter Jackson)<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/HummelHermannFrauenbergerStockman_ISon2010.pdf\">Interactive sonification of german wheel sports movement<\/a><br>\n\t\t\t<i>by Jessica Hummel, Thomas Hermann, Christopher Frauenberger, Tony Stockman<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">17<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/BarrassSchaffertBarrass_ISon2010.pdf\">Probing preferences between six designs of interactive sonifications for recreational sports, health and fitness<\/a><br>\n\t\t\t<i>by Stephen Barrass, Nina Schaffert, Tim Barrass<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">23<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/SchaffertMatteEffenberg_ISon2010.pdf\">Listen to the boat motion: acoustic information for elite rowers<\/a><br>\n\t\t\t<i>by Nina Schaffert, Klaus Matte, Alfred O. Effenberg<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">31<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/DubusBresin_ISon2010.pdf\">Sonification of sculler movements, developement of preliminary methods<\/a><br>\n\t\t\t<i>by Ga\u00ebl Dubus, Roberto Bresin<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">39<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td><a name=\"shortpaper\"><\/a>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\"><b>Short papers<\/b><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\">&nbsp;<\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/KolbeTuennermannHermann_ISon2010.pdf\">Growing Neural Gas sonification model for interactive surfaces<\/a><br>\n\t\t\t<i>by Lukas Kolbe, Ren\u00e9 T\u00fcnnermann, Thomas Hermann<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">47<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/BresindeWittPapettiCivolaniFontana_ISon2010.pdf\">Expressive sonification of footstep sounds<\/a><br>\n\t\t\t<i>by Roberto Bresin, Anna de Witt, Stefano Papetti, Marco Civolani, Federico Fontana<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">51<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/BakkervandenBergPijnappelvandenHoven_ISon2010.pdf\">Sounds like home: sonification and physical interaction in the periphery and center of the attention<\/a><br>\n\t\t\t<i>by Saskia Bakker, Ren\u00e9e van den Berg, Sebastiaan Pijnappel, Elise van den Hoven<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">55<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/GrosshauserHermann_1_ISon2010.pdf\">Multimodal closed-loop human machine interaction<\/a><br>\n\t\t\t<i>by Tobias Gro\u00dfhauser, Thomas Hermann<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">59<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/DinizDemeyLeman_ISon2010.pdf\">An interactive framework for multilevel sonification<\/a><br>\n\t\t\t<i>by Nuno Diniz, <\/i><i>Michiel Demey<\/i><i>, Marc Leman<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">65<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/Salvador_ISon2010.pdf\">A virtual acoustic environment as auditory display front-end for sonification<\/a><br>\n\t\t\t<i>by C\u00e9sar D. Salvador<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">69<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td><a name=\"posters\"><\/a>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\"><b>Posters <\/b><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\">&nbsp;<\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/GrosshauserHermann_2_ISon2010.pdf\">Wearable multi-modal sensor system for embedded audio-haptic feedback<\/a><br>\n\t\t\t<i>by Tobias Gro\u00dfhauser, Thomas Hermann<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">75<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/Quinn_ISon2010.pdf\">\u201cWalk on the sun\u201d Interactive image and movement sonification exhibit\/technology<\/a><br>\n\t\t\t<i>by Marty Quinn<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">81<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/BergEricssonOesterbergMistanderMueller_ISon2010.pdf\">LAURIE \u2013 what is the sound of red?<\/a><br>\n\t\t\t<i>by Helene Berg, Jonas Ericsson, David \u00d6sterberg, Fredrik Mistander, Hans M\u00fcller<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">87<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/MaesLemanLesaffre_ISon2010.pdf\">A model-based sonification system for directional movement behavior<\/a><br>\n\t\t\t<i>by Pieter-Jan Maes, Marc Leman, Micheline Lesaffre<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">91<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/ErikssonBresin_ISon2010.pdf\">Improving running mechanics by use of interactive sonification<\/a><br>\n\t\t\t<i>by Martin Eriksson, Roberto Bresin<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">95<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td><a name=\"demos\"><\/a>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\"><b>Demos <\/b><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\">&nbsp;<\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/Dewhurst_ISon2010.pdf\">Creating and accessing audiotactile images with &#8220;HFVE&#8221; vision substitution software<\/a><br>\n\t\t\t<i>by David Dewhurst<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">101<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/deJong_ISon2010.pdf\">Kinetic surface friction rendering for interactive sonification: an initial exploration<\/a><br>\n\t\t\t<i>by Staas de Jong<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">105<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/ArfibVaalsXue_ISon2010.pdf\">Tangible interaction with a rythmic sonification of the \u201cgame of life\u201d process<\/a><br>\n\t\t\t<i>by Daniel Arfib, Valentin Vaals, Karine Xue<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">109<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><font face=\"Calibri\"><font size=\"2\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/FabianiDubusBresin_ISon2010.pdf\">Interactive sonification of emotionally expressive gestures by means of music performance<\/a><br>\n\t\t\t<i>by Marco Fabiani, Ga\u00ebl Dubus, Roberto Bresin<\/i><\/font><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><font face=\"Calibri\"><font size=\"2\">113<\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><tr><td>\n\t\t\t<p style=\"margin-top: 0.13cm; font-style: normal; font-weight: normal\"><br>\n\t\t\t<font face=\"Calibri\"><font size=\"2\"><a href=\"https:\/\/interactive-sonification.org\/files\/AuthorIndex_ISon2010.pdf\"><i>Author index<\/i><\/a><\/font><\/font><\/p>\n\t\t\t<\/td><td>\n\t\t\t<p style=\"margin-top: 0.13cm\"><br>\n\t\t\t<font face=\"Calibri\"><font size=\"2\"><i>117<\/i><\/font><\/font><\/p>\n\t\t\t<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>(Photo by Peter Jackson) Interactive sonification of german wheel sports movement by Jessica Hummel, Thomas Hermann, Christopher Frauenberger, Tony Stockman 17 Probing preferences between six designs of interactive sonifications for recreational sports, health and fitness by Stephen Barrass, Nina Schaffert, Tim Barrass 23 Listen to the boat motion: acoustic information for elite rowers by Nina [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":8,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-51","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.interactive-sonification.org\/index.php?rest_route=\/wp\/v2\/pages\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.interactive-sonification.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.interactive-sonification.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.interactive-sonification.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.interactive-sonification.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=51"}],"version-history":[{"count":5,"href":"https:\/\/www.interactive-sonification.org\/index.php?rest_route=\/wp\/v2\/pages\/51\/revisions"}],"predecessor-version":[{"id":174,"href":"https:\/\/www.interactive-sonification.org\/index.php?rest_route=\/wp\/v2\/pages\/51\/revisions\/174"}],"up":[{"embeddable":true,"href":"https:\/\/www.interactive-sonification.org\/index.php?rest_route=\/wp\/v2\/pages\/8"}],"wp:attachment":[{"href":"https:\/\/www.interactive-sonification.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}